The Reelist

Tag: romance

  • “The Odyssey” review

    “The Odyssey” review

    Any time Christopher Nolan releases a new film, it feels like an event. This is no different with his latest release, The Odyssey. To put it in perspective, tickets for IMAX screenings went on sale last summer, a year before release, and they sold out pretty quickly. With the insane amount of hype leading up, it begs the question, does The Odyssey live up to it? It most certainly does. 

    The Odyssey is an adaptation of Homer’s ancient Greek epic poem, Odyssey, which tells the story of Odysseus, the king of Ithaca, and his ten-year journey home following the end of the Trojan War. Meanwhile, back in Ithaca, Odysseus is presumed dead after being away for twenty years, which leaves his wife, Penelope, and their son, Telemachus, to deal with a group of unruly suitors competing for Penelope’s hand in marriage.

    Matt Damon as Odysseus

    Since this is a direct adaptation of an existing work, the foundation of the story is already laid out, so it ultimately comes down to execution. This is where The Odyssey truly shines. The sheer size and scope of a film like this would intimidate almost any director, but Nolan doesn’t back down. Early on, Nolan made the decision to film The Odyssey using IMAX cameras entirely, which was unprecedented and had never been done before. Even though it was a huge financial and technical endeavor, his commitment to IMAX pays off here. The film looks and sounds amazing. And because of Nolan’s devotion to using more practical effects instead of CGI, there is a level of authenticity to the film that makes it even more impressive. The combination of epic scope, visuals, and sound creates a level of immersion that’s rarely seen. It almost felt like I was actually on the journey with Odysseus.

    The movie also takes us on a journey through different genres. It has plenty of action and adventure sequences, romance, and even some horror scenes sprinkled in here and there. The horror scenes are particularly effective and well done, especially the one involving pigs (if you know, you know). If Nolan ever decides to do a horror film, he’s shown that he’s more than capable of pulling it off. 

    There are a couple gripes I have with the film, but they’re closer to nitpicks than anything else. As typical in Christopher Nolan films, the dialogue can be hard to hear at times, even in quieter, less action-oriented scenes. Also, in terms of how the narrative is told, I would have preferred more linear storytelling instead of Nolan’s typical non-linear approach. The film often goes back and forth between different time periods instead of telling it in chronological order. The story isn’t hard to follow, so it’s not a huge deal, but I do think a more linear, streamlined approach would have been better, especially for more general audiences. 

    All in all, The Odyssey is a masterful example of what happens when you combine talent with a director that truly cares about their craft. It stands tall as one of the year’s best and one of Christopher Nolan’s finest achievements. And with a filmography as impressive as his, that’s really saying something.

    Rating: 4.5/5

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  • “Carolina Caroline” review

    “Carolina Caroline” review

    The new romantic crime thriller, Carolina Caroline, directed by Adam Rehmeier and starring Samara Weaving and Kyle Gallner, is the first screening I decided to attend at Philadelphia Film Society’s 2026 Springfest. Set sometime in the past and in the backdrop of the American southeast, this new-age “Bonnie and Clyde” style film has an old-school charm that’s hard to resist. While it’s ultimately predictable and familiar, it is still an enjoyable experience, anchored by two solid lead performances by Samara Weaving and Kyle Gallner. 

    For anyone that’s seen Bonnie and Clyde, or anything similar to it, the plot of Carolina Caroline will sound quite familiar. A young woman named Caroline, who lives with her dad, meets an outlaw named Oliver. Swept off her feet by his good looks and charm, Caroline decides to join Oliver, leaving a trail of crime while simultaneously looking for her estranged mother throughout the southeast United States. 

    While there are a few wrinkles thrown in here and there to slightly differentiate it, this type of story has been done before. This familiarity can be comforting, but it’s also what makes the film predictable. We’ve all seen how these romantic crime thrillers go and, without saying too much, it follows the same trajectory more or less. Of course, that does not make it bad by any means. There’s a good amount of entertainment, it’s just that I feel like I’ve seen it before.

    Despite all of that, there is still much to like here. Many of the production aspects of the film are solid, particularly the cinematography and production design. While not explicitly stated, it takes place sometime in the past, and things such as the production design and costumes help convey that pretty clearly. It gives it sort of this “classic” look and feel that others in the genre try to pull off, but don’t do it nearly as well. 

    Carolina Caroline is not a film that attempts to break new ground in the romantic crime thriller genre. It doesn’t try to do too much and plays it pretty safe, which results in a predictable story that you’ve probably seen before. Nevertheless, this is still an entertaining, well-made and acted film that does more right than wrong. This is essentially a modern age Bonnie and Clyde, and it pays homage to it quite well in that sense. 

    Rating: 3.5/5

  • “Eternity” review 

    “Eternity” review 

    In the age of endless sequels and franchise installments, Eternity, directed and co-written by David Freyne, feels like a breath of fresh air. Not only is it a breath of fresh air, but it’s a good breath of fresh air. Mixing in a nice balance of romance and comedy, solid performances, stellar cinematography, and a thoughtful script, the result is one of the best rom-coms of the year that is sure to tug at your heartstrings. 

    Eternity opens with an elderly couple, Larry and Joan, on their way to a gender reveal party. While there, Larry chokes on pretzels and dies. After his death, Larry finds himself on a train to an unknown location. When he arrives, he meets his afterlife coordinator, Anna, who informs him that he is dead and is now at a hub, and that he must decide within ten days where he wants to spend his eternity. The caveat is that while each eternity is unique, it is final and escaping it would result in being thrown into a void. Larry decides to wait for Joan, as she has terminal cancer and it is only a matter of time before she passes. Joan eventually passes and reunites with Larry at the hub, while also spotting her first love, Luke, who died in the Korean War many years ago. Joan now faces a decision between Luke and Larry on who she wants to spend her eternity with.  

    From left to right: Elizabeth Olsen as Joan, Miles Teller as Larry, and Callum Turner as Luke

    The film’s concept is creative, and it finds just the right balance of drama, romance, and comedy. The jokes land for the most part, and the drama, especially towards the end, makes you feel something. I ended up becoming attached to these characters and caring about what was going to happen next. Of course, this is helped greatly by a solid cast, highlighted by the trio of Elizabeth Olsen as Joan, Miles Teller as Larry, and Callum Turner as Luke. Teller does an especially good job by essentially playing an elderly man in a younger man’s body, and he keeps it believable.

    One aspect of the film that I enjoyed is how thoughtful the screenplay is in regard to how Joan tackles her decision and the decision she ultimately makes by the end. It gives the experience more emotional weight compared to many of the other entries in the rom-com genre.  

    Another aspect of the film that is unexpectedly noteworthy is the cinematography by Ruairi O’Brien. This is a very good-looking film in many ways, and the use of color in particular is impressive. The opening scene with the elderly Larry and Joan uses a duller color palette, aligning with the reality of a couple close to the end of their lives. When Larry arrives at the hub, the colors are more vibrant but not overly so. The most colorfully vibrant scenes are the ones in eternity, as it’s supposed to represent eternal bliss. It’s small details like this that add to the overall experience of the film. 

    All in all, Eternity is a solid experience filled with laughs and emotion, backed by a stellar cast and superb visuals. Despite a predictable ending, I was surprised by how much I enjoyed it by the end. If this is what eternity actually looks like, then count me in. 

    Rating: 4/5